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Stewart Hotston

Writing, Editing, Watching and Reading

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Conventions

Reflections from a noob on the conservation of information

This weekend I went to Fantasy Con here in the UK and it was brilliant. This is the second convention I’ve been to, after Nineworlds a little earlier in the year. It was a little smaller than I was expecting but filled with people from across the industry – writers, readers, editors, publishers and even an agent or two. I was supposed to be at a LARP (but a broken tarsal put paid to that) but requests that I do a couple of panels sold me on going because, hey, I quite like talking about stuff when asked and in this case they were topics I felt I could at least contribute to without looking silly.

I also went to a bunch of panels and worked hard on BarCon (which as you can imagine included alcohol). There was a sinister room of which Allen Stroud kindly took a few of us on a tour – only to regret it almost instantly.

 

In terms of personal goals I wanted to meet people in the industry, get to know them, explore current trends and figure out where I go next. Talking to someone about pitches (I think it was Jon Oliver from Solaris/Abaddon) reminded me that I hate being sold to and although as an author I need to find a way to communicate what I’m passionate about writing, I was committed to actually having a good time, laughing and making some new friends (if that last isn’t too bold).

I was delightfully entertained by Nate Crowley every time we crossed paths and I hope we get to crew together at Empire next year because I think we’d make a frightening double act.

I have lots of people to thank, not least David Moore and Jon Oliver for always being around to chat to, Adrian Tchaikovsky (and Annie), Phil Sloman, Simon Bestwick, Allen Stroud, Jeanette Ng, Anna Smith Spark, Theresa Derwin and David Tallerman for all being sparkling company and having interesting stuff to say.

The highlight though was that after my comment last week that I wasn’t quite sure what to do next and entirely different option as presented as the most obvious answer. Roped into a discussion about cosmology (in the theoretical physics sense) I got a bit fanboy about information theory and how there’s a great first contact story in it and someone said – ‘don’t just talk about it, write it because I want to read that story.’

I was pleased to hear it but then it was pointed out that they were a commissioning editor. So guess what…I’m now writing out and planning that very novella. Which involves me reading information theory thermodynamics papers from Arxiv.org…oh, and the stages of grief as it’s that kind of story.

At the same time I got an open invite to pitch to another publisher whose work I love. I’m now also frantically editing that piece because it’s in need of it but there you go. I’m not sure it’s for them but everyone who’s read the alpha version thinks it’s the most compelling piece I’ve written so you never know…

Drafts, FantasyCon and taking over the world

Short post today. Really to ask for some thoughts.

Tonight I’ve finished an edit on the first book in the fantasy series I’ve got with Ticketyboo Press. This was mainly to tighten the opening based on some beta reader feedback and to bring the overall use of terminology and (some elements) of world plot into line with book two and where I’m going with the story. There’s now a full edit on their side to do – about which I’m pretty excited.

Which means I’ve reached a cross roads.

I’m not ready to start book 3 of that series yet. I need a little break from it to recharge. So I have the following options in front of me which I’ll be mulling over at FantasyCon in between going to panels, being on a couple of panels (which I’m totally excited about) and maybe having a few jars with friends.

  1. Write book 3 of The Oligarchy and finish that series
  2. Edit Immortal Daughter, a fast paced thriller set now which is basically Taken crossed with Logan
  3. Start book 3 of this series!

As we head towards book 1, Dreams of Darkness, coming out, I’ll also be sending out a free copy of a new anthology of stories to people as a thank you for all the support – that’s basically ready to go, it’s just about timing…!

I’ve actually got to sit down with my mentor in the next couple of weeks and work out a plan for drawing up the next story – they want me to focus within a specific genre and then write to its very edges. I’ve got two story ideas I want to rip to pieces with them and hopefully come out of that with something intentionally commercial without losing what I love about writing – the chance to explore my own ideas.

So…feel free to tell me what I should concentrate on next. And if you’re at FantasyCon, come by and say hello.

Nineworlds – observations from my first con

I went to #Nineworlds this weekend just gone in Hammersmith (which is in London, UK for those of you who may be unfamiliar). It’s a fan led conference that’s deeply concerned with the stories we tell ourselves and how those help (or hinder) us when we try to construct our identities (whatever those might be). This could be dry, pretentious, domineering or just plain pedantic but #Nineworlds manages to engage with all of the things it cares about successfully – being witty, passionate, respectful and intelligent.

It was also very welcoming, compassionate and wonderfully cool.

I was lucky enough to be speaking on two panels; the first on how we might deal with historic texts which present us now with themes and subject matter that are difficult to reconcile with what we think of as acceptable – be that explicit/implicit racism, sexism or views on what gender identities are acceptable (or even normative). It was a really fun/deep panel and my co-panellists were interesting, from very different backgrounds to me and together I hope we managed to discuss some interesting angles on this subject – I’ve got a post on this theme coming soon and I’ll use that to re-present some of my thinking on this.

What was most wonderful about that panel though was that during the questions, one of the audience members was brave enough to challenge us on something we had been blind to – the trope of the disabled person being morally deficient and how villains were often disabled in some manner as if they deserved it and specifically because the physical circumstance tagged them as evil. That contribution meant the world to me because I was worried about the discussion being didactic and that someone could contribute as they did meant we succeeded in not speaking at the room but in talking among a community.

The other panel was on AI, Robots and the future of work – and was really an excuse to talk about all those subjects we read about weekly where another advance creates something for us to scratch our heads over – be it machine learning running data centres more efficiently, Amazon warehouses being in the dark because the robots don’t need lights or medical diagnoses being done through automated pattern spotting. And yes, we did also talk about socialist utopias, work, the price of labour and the impact of class, race and location on how we live that experience.

My favourite moments being twofold – a story that made people gasp with shock and seeing David Thomas Moore turn into Citizen Smith.

Aside from that I bundled along to a number of panels – my favourite ones being Dr Magnethands, which is a game I shall be inflicting on friends at parties and one on writing from different points of view. That latter one was the writer in me wanting to learn, wanting to see if how I approach my work makes sense and how I could be smarter about it.

Anyway, I’m now knackered, but home. So adieu to #Nineworlds and thanks again.

Oh, and particular thanks to people who shared drinks and panels with me like David Thomas Moore, Jon Oliver, Joseph Adetifa, Sasha Garwood Lloyd, Dolly Garland, Adrian Tchaikovsky, Peter Smallridge, D Franklin, Ed Boff, Sarah Groenwegen, Matthew Blakstad, Peter Ray Allison and Jeannette Ng to mention just a few. (And obvious apologies if I’ve missed you off this list – the fault is mine, not yours!)

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