Search

Stewart Hotston

Hope, Anger and Writing

Tag

Novels

Dreams of Darkness

This is Maela. She’s the daughter of the High King of the Parade, the combined courts of the Seelie and Unseelie Fae, although not all Fae are members of the Parade, not by a long shot. She’s also in exile, having had ideas considered too dangerous to leave her unharmed. She is of House Dark, one of the elder Fae Houses.

When I was developing my ideas for DoD (as I call it), one of the central themes I wanted to explore was difference. Not diversity for its own sake, but how different peoples and cultures may never see eye to eye simply because their foundations rest on entirely different premises.

Having said that, I explicitly wanted to write a female protagonist whose colour (and Maela isn’t locked into being the same as this picture shows her) was starkly different to that of the other main characters.

I’ll show those characters in other posts – we have a Kitsune called Shaal, an ancient fox spirit and we have Chris, a schlubby white male student from the Great Britain.

For this story, whose ideas impact the entire world, it seemed fitting that the characters we access the tale through represent its very different elements.

I’m writing this now because the novel is done and I’m talking about it with a publisher I’ve admired for a while. I hope to have more news that I can properly share soon but in the meantime, I thought I better start talking about a book that I love, that stands on its own as a proper story but whose world is built for a properly epic cycle to be told within.

 

The Fox’s Hope

I can finally come with some awesome news. As of this weekend I sold my novel, Dreams of Darkness to Ticketyboo Press. I can’t tell you just how jump around the room happy I am with this news.

Ticketyboo are a great outfit with some great authors on their lists.

What’s more amazing is that they’ve also taken the 2nd and 3rd books in the series as well. Dreams of Darkness is a standalone novel but it builds a world in which there is a much greater tale to tell and I’m delighted to get the chance to write that larger story and see it come into print. The series, in case you haven’t guessed from the title of the post, is called The Fox’s Hope.

I’ll be posting some pieces about the main characters, the world and the ideas over the next few weeks but this post is just to say….YIPEEEE!

A People’s War

This is the blurb, well draft 1 anyway. It’s always had to give enough of what makes a story cool without giving too much away, either about the first book or about what happens in the story itself. Suffice it to say that there’s no spoilers below. 🙂

“Helena’s father went missing a century ago. He took his team of researchers and their findings with him so that none could benefit from his work. For Helena this is a problem since someone’s finished up what he started and is looking to benefit from creating a war between the largest corporations in the solar system. A war in which there’ll be no winners.

Throw into this mix a third side, one intent in freeing itself of the Oligarchy and Helena is propelled into finding her mother, who may just have a clue to where he went. Except Edith is slumming it in a war zone far from the City, refusing to cooperate with anyone on anything while she satisfies her own agenda.

Helena is going to have to risk everything to persuade Edith to help. Even if she does there’s no guarantee that any of them will make it out of the war alive because this is a people’s war, a war of rebellion against the 1% and Helena is very much in their sights.”

What do I do next?

I’m at something of a crossroads. I’m in super positive discussions with a publishing house I’ve admired for a while about taking a novel of mine, Dreams of Darkness, through to publication. I’m so excited I’m pacing the house thinking about it whenever I’m not actually working at the day job (and even then…).

The novel is standalone – the story and characters wrapped up in 110,000 words. However, the world they exist within is very carefully laid out for a much grander story that would spread over 9 books…yes 9. It would be an intertwined series of three trilogies whose characters would find one another over the course of the series and accomplish grand things.

Now. A reality check. This may not come to pass. I’ll not really believe it until the 9th book is out and I’m looking back on it all. However, in terms of timing it’s actually thrown me a little.

I’ve worked with Matt at Alternative Realities to bring out A Family War which did well enough (far beyond my initial expectations of a dozen copies to mates!) that it warrants the sequel. We’re currently aiming for the end of November. I’ve just had the final cover artwork through though and am sitting staring at it wondering how I’m going to split myself in two to focus on both at the same time. This would be pretty easy – except that I’ve got to find some time to finish the trilogy with the final book in the series, The AI War.

Then…oh then. I have just finished my first pass at editing a new novel which I’m tentatively calling Immortal Daughter. I’m trying to concentrate on creating a blurb for it but I’m too excited about Dreams of Darkness for which I’ve been staying up creating the history of a world and how the myriad of characters will twist together to tell what I’m hoping is an epic story.

I know. It’s not the worst dilemma in the world. Or even a dilemma really. The actual solution is to take each one in order of urgency (since they’re all important). But right now I’m a little like:

hqdefault

I’ll get there. Hopefully without dropping any of the balls I’m currently juggling. Now, if you’ll excuse me I’ve got a synopsis to write, then a cover to approve, then a final edit to read through, an anthology to put together (if the authors ever get their bios back to me) and a series to plan…

A People’s War – Cover Reveal

It’s here. At least the cover is almost here. Lawrence Mann has done another bang up job.

This is the cover for the second book in the Oligarchy trilogy. It’s due sometime towards the end of November, but we’ll make sure there’s lots of advance warning. I am looking for a small handful of people who want advance copies in exchange for honest reviews, so please let me know if you’re interested.

The process for creating this cover was simpler than the first one – after developing a sense of the visual representation of the world, Lawrence was quickly able to capture what it was I was hoping for in this cover. It’s not a spoiler but it does represent a key scene from the book.

The story here moves on from that in the first, starting just a few days after the events of A Family War. It moves in a very different direction though as Helena heads off somewhere new for…(no spoilers, Stew!) Reasons ™.

I’ll have a proper blurb in the next week which I’ll post here too. In the meantime, enjoy the cover.

The price of free

I decided last week in discussions with Matt at AR, that we should put the kindle version of my debut novel up for free at Amazon for 72 hours. That 72 hours runs out tonight. This post is about what’s happened and my feelings about it.

The first consideration was this: lots of people, including a not inconsiderable number of friends, have stumped up proper money for either a physical or ebook copy of A Family War. A decent number of those have then gone on to post very kind and honest reviews about the story they experienced.

I have been really concerned that they’ll feel a little bit cheated that the book has gone for free for a short period. I worry that it might put them off buying anything more of mine in the future because they’ll think ‘I can get it free later on anyway’.

I also worry because they’ve bought the fricking thing, have been supportive and have given me great feedback.

However, at the same time, I’m a fledgling author who’s is trying to establish an audience not just for this novel but for its sequel and all the other ideas that are trapped in my skull screaming to get out. I want this book to get to as many people as possible and create that market that an unknown author like me simply doesn’t have through the machinations of a massive marketing department.

So we come to the event itself – the book has been free since Saturday morning. In that time at least 2,000 downloads have occurred – definitely more as I’m still waiting for today’s numbers to come in. I have NO IDEA how people have found it, I have NO IDEA how it’s got to where it is in the charts – #1 in US Sci Fi, #1 in US Sapce Opera, #111 on the whole kindle store while in the UK it’s been #4 or 6 in the same categories.

I truly don’t understand how people found it at that point or how it’s propelled itself up the charts among other authors who’ve written lots of novels and have well oiled marketing programs. I’ll be trying to figure that out in the coming days with Matt as getting this kind of attention was exactly the kind of outcome I was dreaming of (even though not expecting in any way). It’s something to learn from, to understand and then to figure out how to make it work for me when book 2 comes out.

At the same time, I’m waiting to see if any more reviews pop along, if people continue to buy it when it returns to the heady heights of two bucks a copy and if this does actually help build an audience over time.

I’m an author – loving writing. However, I’m also an author who wants to get his work out there, selling for real money preferably, but also who has just enough self belief to think my work is, on a good day, worth reading. So I wrestle with the idea of creating something and then having to think about how to present it in the best way over time (and by time I mean weeks and months) in order that my secondary wish of getting it in the hands of as many people as possible bears fruit.

The free offer has paid dividends in terms of getting my work out there to literally thousands of people. I have been really tempted to make it permanently free, to ride this wave of people downloading the story to see how far it will take me – the heart gibbers madly, saying thousands could become tens of thousands or even more. Yet I’m listening to those around me who have advised ending the promotion as planned and seeing what happens…Part of me thinks it’s about momentum and that it should stay free, but in the end the argument that it’s actually worth something wins out. We’ll see if readers agree.

Free is tough. I love the people who spent their own money to buy a copy, (I don’t see book 2 ever being free). I truly hope they’ll stick with me as I continue to write and hopefully get published. However, I also really hope that as more people find my work, as some of them even like it, that they will, in future, also think it’s worth paying out their money too!

It’s not that I don’t appreciate anyone who takes the time to try my writing out – trust me I’m humbled that among all the choice out there, you’ve taken the time to pick my stuff up. But I’m trying to figure out how to make this all work and how to ensure that Matt as Alternative Realities thinks it’s worth publishing the next one I send to him.

Future Perfect – why politics, culture and people matter when building a world

A Family War is set in the nearish future and, as importantly, it’s set in our world. I’ve written about world building elsewhere, about how it’s vital to think through how technology and science might impact upon the world one is building but today I want to talk specifically about the other part of world building – the people and the politics. This is a fairly dense post – I’ve had some people say to me that SciFi isn’t their thing – especially stories that are as much about the questions by which we live as they are about technology. I can only apologise and promise that the book itself is a proper thriller with running, jumping and shooting of guns. Yet underneath all that there’s a living breathing idea of how things might be.
In A Family War I was primarily driven by a number of real world concerns and non-fiction pieces. Primarily, Martin Gilbert’s harrowing history of the holocaust (https://www.amazon.co.uk/Holocaust-Martin-Gilbert/dp/0006371949) which was what prompted Helena’s story in the first place. I had read this over the course of three months and apart from the horror of the events themselves I wanted to understand just how it was that so many people went to their deaths without resisting. I always felt it was anathema to how I’d respond but then reading about tens of thousands of people who ‘willingly’ boarded trains knowing it would be the end of them – it’s not something I’ve ever been able to process (I saw willingly, I simply mean nothing more than they didn’t attack the soldiers, who they outnumbered, in a bid to live – I’m not judging, I’m simply saying I don’t understand it). I think I understand it a little bit now – with a family of my own who I might consider taking short term decisions for in case it meant that we could walk away in the long term. However, I fight with proper swords every week so I’m probably not the average person anyway.
I wanted to examine how a society built with full post war clarity about the Nazi regime could head back there. It was clear to me it wouldn’t be based on the same surface level detail. There wouldn’t be another Hitler or national socialism. Globalisation appears too deeply embedded or that to happen. Of course, by most measures we’re only really obtaining a similar level of free trade now that existed in the 1920s, so what goes around could still come around. Veering away from Nazis in the future, I decided to explore the impact of technology on human society. This fell into how tech would impact human well being, human productivity and our freedom to engage in leisure – the last of these a subject that’s only really a couple of centuries old.
Looking at productivity first, one could easily see that many people are shifted out of the middle class into lower paid and less secure jobs as machine learning optimise processes far more quickly than human/manual control could ever do. The Luddite call of ‘tech is destroying our jobs’ is never wholly wrong even if it is most often a futile protest – new jobs arise to replace the old but look at how many people you need to man a farm or build a car if you want to see how technology can impact an economy, a society and their communities. Add to that recent research by Saez, Bloomberg and Macquarie that shows that although income inequality hasn’t gotten markedly worse since the 1990s for the advanced western democracies, the middle ground has been eroded. More people work than before and they work in less secure jobs demanding fewer skills. Although the overall measure of inequality (GINI) shows a status quo, inside this data we are seeing the rich remain rich while the majority become poorer overall even while the poorest are better off now than they have been before. It a complicated picture but has some specific implications for what I wanted to write about.
Namely that tech would reduce people’s freedom to act economically even while giving them freedom to connect and express themselves. In other words a rise in freedom of self-representation would run in parallel to a decline in individual economic autonomy. For me this meant that the dividends of peace, economic growth and democracy would consume themselves as capitalist forms of governance slowly shaped the most advanced societies on the planet (be they democratic like Europe or Technocratic like China). In the end, I don’t think most forms of democracy are self-sustaining as they’re too open to being hijacked by demagogues. The US has great forms of protection from these kinds of attacks and even it finds itself twisted far away from what its founders imagined. The UK has always had a democracy designed to empower the elites but this has, ironically, provided for much stability. It too is now facing a turbulent period although the system itself does not appear to be under threat.
However, democracy can destroy itself simply through attempting to appease the majority when the majority decide they don’t want freedom of choice, movement, thought or opportunity. It may take time to get there but for most people in prosperous environments (and by this I mean they have enough food, medicine and movement to want to be left alone on a day to day basis) the pressure to protect the system that provides for the stability to deliver that prosperity is hardly felt.
In trying to arrive at the world in which Helena exists then, I wanted to undo democracy but leave behind the sense of prosperity it delivers. The easiest way for democracy to be undone is for commercial interests to undermine it – for instance corporates whose profits are large but whose products are damaging to either their consumers (eg. smoking) or the world at large (eg. petroleum). If entities in the same vein can impose proper free supranational free trade agreements – especially around how they pay tax to individual sovereigns it becomes hard for those countries to exercise any kind of influence over them. Over time they will seek to protect their goods and property (in a similar evolutionary trajectory to how nation states arose) and become principalities in their own right – but ones who boundaries are no longer physical but instead technological.
For the average person on the street it means that the following is a reasonable trajectory to the kind of society they find themselves in – democracy, increasing state strength, failing state strength, rising corporate influence, subsuming of weaker states, mutual patronage of stronger states with corporates. Can and does democracy ever come back around? Hard to say, but looking at the violence, political physical and ideological that was required to get universal suffrage in the first place it seems that once it’s gone it’s hard to get back.
So I assumed that democracy of the kind we in the UK enjoy now (of the John Hyland variety of representative democracy) faded away, replaced with a technocratic system which eventually evolved into an oligarchic system as is already observed in much of the rest of the world. This was obviously easier to justify when one considered that for the richest, life spans had increased into the centuries, so companies and influencers did not get naturally recycled by old age. As justice for most people is unaffordable, I could then implement a Rawlsian system of relative merits where as long as their immediate peers weren’t perceived to have unfairly prospered, most people would accept their lot if they were left to get on with it. One day I’ll write a system where the justice on offer is that envisioned by Amartya Sen
I’m waffling here, so a little summary before I finish up. We go from here to Helena’s world, a world of material plenty but of spiritual and social poverty for the majority quite easily. Although I’ve used the impact of technology (gene therapy, automation of skilled jobs, impact of machine learning (not even AI)), the same trajectory of declining democracy, a hollowed out society without a middle class and a corporate strength that overrides sovereign states is not one that’s hard to imagine occurring anyway.
Helena’s story is about how this dystopia comes into question, how it’s own centre falls apart. In that sense I think it’s a story for our times and I hope you do to. Book two, A People’s War will explore these issues further because Helena will face events she could not have realised were behind what happened to her in A Family War.

A Family War – Sample Chapter

Hi there. As promised a little while ago, here is the pdf: A Family War – Sample Chapter

If you like it you can get a copy here: UK or RestofWorld

In case you hadn’t seen the synopsis – the story is an action thriller set in the near future with a strong female central character.

“Helena is one of the Oligarchs, genetically-enhanced, centuries old families who rule the world. As a new world war begins, she is ordered to find a boy who could save the human race from genocide. Yet all is not as it seems; Helena finds enemies on all sides, intent on bringing about the war with all its horrific consequences. To make matters worse, Helena’s own integral AI challenges both her motives and her identity. Yet she has no choice but to accept its treacherous aid if she is to have any hope of surviving those who want her dead.”

As always, let me know what you think.

Also, as far as promotions go, is this a good way of convincing you it might be worth your time?

WIP

As promised earlier this week, please find attached a 1,500 word sample for a new novel that’s completely unconnected to the world of Helena Woolf and the Oligarchs.

The novel is provisionally titled ‘Dreams of Darkness’ and stands alone. It’s currently with Ian Whates at NewCon Press, although he’s yet to read it, so there’s no guarantee at all that he’ll a) like it and b) want to publish it. However, Ian has carved out an amazing business in publishing superb stories, so regardless of my involvement you should seek him out and read the people he publishes cos he has a great sense of out of the ordinary writers.

The story asks the question, ‘what if all our myths were true,’ and then says, but if that’s the case, how is it we have the world we have today where science appears to rule and magic, mystery and legends are footnotes in history books.

The sample takes place very near the beginning and features one of the three main characters, a Fae called Maela from one of the Seelie houses. She’s discovered something of critical importance to her people, whose import she doesn’t understand and is travelling home when this part of the tale takes place. Once you’ve read it you’ll understand why I chose the image 🙂

I’d love your feedback on this, especially whether the action is interesting and if you think it would be something you’d read more of.

Cheers – link below

Dreams of Darkness WIP

Blog at WordPress.com.

Up ↑

Knights of IOT

Design | Integrate | Connect

ScienceSwitch

Your Source For The Coolest Science Stories

SwordNoob

Adventures in HEMA, LARP, Archery and other activities

ebookwyrm's Blog

Smile! You’re at the best WordPress.com site ever

Damyanti Biswas

For lovers of reading, writing, travel, humanity

countingducks

reflections on a passing life

Self-Centric Design

The art of designing your life

Adrian Faulkner

Hope, Anger and Writing

Fantasy-Faction

Hope, Anger and Writing

Alternative Realities

Why have virtual reality when you can have alternative reality?

1001Up

1001 video games and beyond

Fringeworks - Blogs

Hope, Anger and Writing

Shadows of the Apt

Hope, Anger and Writing