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Stewart Hotston

Writing, Editing, Watching and Reading

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Sci Fi

Post Cyberpunk Larp

Got your attention? I hope so.

I challenged a friend of mine a few months ago on whether they’d be interested in and whether they could think of a way of turning the world in which A Family War exists into a LARP.

The problem with any sci fi LARP is really getting into the details of scifi – you know, those computers, AI, futuristic weaponry, hacking and the like.

My mate Andy has come up with a neat solution for the physical aspects and I think I’ve worked out how to do the electronic side so that players could experience both.

There are pinterest boards, ideas for plot and I’m going to start thinking about approaching the site and asking a small, select bunch of people if they’d be part of the team that could put this together…

However, the other important thing to note is that it’ll be kind of a post-cyberpunk theme. Beyond the cybernetics and implants that made cyberpunk such a thing. Gibson has been writing it for ages (ie, he moved on from cyberpunk a long time ago) and I realised in talking to Andy that The Oligarchy is also post cyberpunk.

Funny how these things emerge…

More news as it’s ready but for now this is very much at ideas stage. One thing though…if you were interested it would be great to know.

The game’ll be limited numbers and limited run – and it’ll be openly pvp (although pve will be the main focus), cos what’s drama without conflict?

Reflections from a noob on the conservation of information

This weekend I went to Fantasy Con here in the UK and it was brilliant. This is the second convention I’ve been to, after Nineworlds a little earlier in the year. It was a little smaller than I was expecting but filled with people from across the industry – writers, readers, editors, publishers and even an agent or two. I was supposed to be at a LARP (but a broken tarsal put paid to that) but requests that I do a couple of panels sold me on going because, hey, I quite like talking about stuff when asked and in this case they were topics I felt I could at least contribute to without looking silly.

I also went to a bunch of panels and worked hard on BarCon (which as you can imagine included alcohol). There was a sinister room of which Allen Stroud kindly took a few of us on a tour – only to regret it almost instantly.

 

In terms of personal goals I wanted to meet people in the industry, get to know them, explore current trends and figure out where I go next. Talking to someone about pitches (I think it was Jon Oliver from Solaris/Abaddon) reminded me that I hate being sold to and although as an author I need to find a way to communicate what I’m passionate about writing, I was committed to actually having a good time, laughing and making some new friends (if that last isn’t too bold).

I was delightfully entertained by Nate Crowley every time we crossed paths and I hope we get to crew together at Empire next year because I think we’d make a frightening double act.

I have lots of people to thank, not least David Moore and Jon Oliver for always being around to chat to, Adrian Tchaikovsky (and Annie), Phil Sloman, Simon Bestwick, Allen Stroud, Jeanette Ng, Anna Smith Spark, Theresa Derwin and David Tallerman for all being sparkling company and having interesting stuff to say.

The highlight though was that after my comment last week that I wasn’t quite sure what to do next and entirely different option as presented as the most obvious answer. Roped into a discussion about cosmology (in the theoretical physics sense) I got a bit fanboy about information theory and how there’s a great first contact story in it and someone said – ‘don’t just talk about it, write it because I want to read that story.’

I was pleased to hear it but then it was pointed out that they were a commissioning editor. So guess what…I’m now writing out and planning that very novella. Which involves me reading information theory thermodynamics papers from Arxiv.org…oh, and the stages of grief as it’s that kind of story.

At the same time I got an open invite to pitch to another publisher whose work I love. I’m now also frantically editing that piece because it’s in need of it but there you go. I’m not sure it’s for them but everyone who’s read the alpha version thinks it’s the most compelling piece I’ve written so you never know…

Drafts, FantasyCon and taking over the world

Short post today. Really to ask for some thoughts.

Tonight I’ve finished an edit on the first book in the fantasy series I’ve got with Ticketyboo Press. This was mainly to tighten the opening based on some beta reader feedback and to bring the overall use of terminology and (some elements) of world plot into line with book two and where I’m going with the story. There’s now a full edit on their side to do – about which I’m pretty excited.

Which means I’ve reached a cross roads.

I’m not ready to start book 3 of that series yet. I need a little break from it to recharge. So I have the following options in front of me which I’ll be mulling over at FantasyCon in between going to panels, being on a couple of panels (which I’m totally excited about) and maybe having a few jars with friends.

  1. Write book 3 of The Oligarchy and finish that series
  2. Edit Immortal Daughter, a fast paced thriller set now which is basically Taken crossed with Logan
  3. Start book 3 of this series!

As we head towards book 1, Dreams of Darkness, coming out, I’ll also be sending out a free copy of a new anthology of stories to people as a thank you for all the support – that’s basically ready to go, it’s just about timing…!

I’ve actually got to sit down with my mentor in the next couple of weeks and work out a plan for drawing up the next story – they want me to focus within a specific genre and then write to its very edges. I’ve got two story ideas I want to rip to pieces with them and hopefully come out of that with something intentionally commercial without losing what I love about writing – the chance to explore my own ideas.

So…feel free to tell me what I should concentrate on next. And if you’re at FantasyCon, come by and say hello.

And it’s out

Final checks passed! Launch buttons pressed. A People’s War is out.

Hope you enjoy and as always – regardless, if you do read a copy, please could you do me a massive favour and pop a review up for me?

Stu Keen
Stuart Keen showing a cool demeanour under immense pressure

Not to forget the competition – as per A Family War, the person who posts up the best photo of them with the novel will get the final instalment for free. The winners of the original competition are Bex Cardnell Hesketh and Stuart Keen, both of whom have now received their free copies of A People’s War.

Thanks and merry Christmas

S

 

Interview with Fiona Mcvie

I had the pleasure of being interviewed recently over at AuthorsInterviews by the lovely Fiona Mcvie. Go over and see the interview.

I’ve had the final proof read back on A People’s War – just need to agree the final changes and then it’s off to get printed and published…a little late but still in time for Christmas I hope!

S

Just who is David Chalmers

No spoilers here!

In A Family War, David’s a policeman. In A People’s War he shows a different side. Helena always thought it was strange that an Oligarch wound up as a policeman, even one with as broad a remit as Chalmers.

It’s worth explaining a little about the Oligarchs. They are those whose families were rich enough or powerful enough that when longevity technologies first arrived they could secure these advantages for themselves. They were and remain the 1%. There are, at the time of Helena’s story, about 6 million Oligarchs on the planet. That sounds like quite a lot of them, but it’s not when you consider the planet’s population is closer to 9 billion. These 6 million are tracked and watched for the large part, they have what the media call Adherents, or followers in today’s parlance. Adherents are those who have latched onto specific Oligarchs for whatever special properties they perceive in them.

One of my key drives in building their society was celebrity culture, not simply saturday night television or the movies but how that plays itself out in boardrooms, academia and politics. Even there it’s not really the Trump effect, it’s more about the cult of personality, the idea that the person at the top deserves to earn a thousand times what their lowest paid staff members earn. We all acquiesce in that structure and you see this in how these people at the top are venerated, deferred to and respected as if they alone are responsible for all the good that’s done and profound decisions made. I found the work on organisations by Charles Handy invaluable in trying to figure out how large corporations would engineer this kind of social structure. When I cross referenced that to Richard Sennett and Zygmunt Bauman whose work on modernity, capitalism and the workplace is superb, I realised I wanted my corporations to be miniature dynasties whose boundaries were electronic as much as they were product driven and physical.

If you’re one of just six million among 9 billion ordinary people, something strange must have happened for you to end up as a policeman. Just saying.

Image is from the film Hot Fuzz and is not my own!

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