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Stewart Hotston

Writing, Editing, Watching and Reading

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Interview with Fiona Mcvie

I had the pleasure of being interviewed recently over at AuthorsInterviews by the lovely Fiona Mcvie. Go over and see the interview.

I’ve had the final proof read back on A People’s War – just need to agree the final changes and then it’s off to get printed and published…a little late but still in time for Christmas I hope!

S

Bookbub and Instafreebie – or how to get more free books

I don’t care what you read or how you read or when you read. I don’t care if you collect 1st edition hardbacks or are exclusively reading papyrus. However, I do care if you read.

For me it’s not about the quality of the material (although some of you know there are certain authors that will cause me to give you a look of pity or resignation but that’s only for discussion in person).

I wanted to talk about a couple of sites that I’ve used both as an author and a reader. They’re called Bookbub and Instafreebie. You probably know about them already, and if you do – apologies – I’m a recent convert/discoverer and they’re changing the way I read books.

I’ll grant you that there’s a decent amount of stuff you probably don’t want to read on each site BUT this is what I like about both sites – their potential for author discovery. By that I mean that the sites take your preferences and try to find authors that you’ll like. They’ll feed you offers for people you know and have read but they’ll also find you authors you haven’t read. It’s this last bit that works for me because I know the authors I like but, as with new music and film, it can be tremendously hard to figure out new authors who I might not have come across before. Combine that with the fact that these platforms typically showcase books at special offer rates (either discounted or completely free) and I find that I’m typically not taking much risk in trying out new authors.

It may not be for you. But hey, if you like reading, like new discovering new authors and can say what your preferences are these sites might be good for your totally under control crack reading habit.

Also, as someone pointed out, there are other sites like this, but these are the ones I’ve settled with – both as author and reader.

 

Just in case

Tales of Wild Light is now available on Amazon. There’s also the ebook – but hey, if you’ve gone here, then you should have it already! If you’ve taken the free version from the offer – good on you. If you fancy having a real version of John’s cover then I’d suggest getting yourself a physical copy of this one. It’s pretty amazing and with a matt finish looks even more imposing.

Also, if you’d like to do me a massive favour – please leave a review of the collection once you’re done with it.

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Stewart

Tales of Wild Light

After a feverish day yesterday, this is now available for free for those of you who’ve signed up to the mailing list. It’ll be a few days before it hits amazon so not only are you getting it for free, but you’re getting it ahead of anyone else. I especially like the cover, which is by the amazing John Haynes.

To get a free copy, use this link and go have some fun.

These stories have been collected over a number of years – ones that I love but which were written almost exclusively for my own pleasure. Except for Farm Boy – that was written for a friend who wanted to see Destiny get kicked on the pods. That one’s for Ian Belcher.

I hope you enjoy these!

Cheers for all your support and here’s to many more stories in the future

Stew

Aliens – the truth is coming

I’ve a new story out in a collection from TicketyBoo Press, edited by Andy Angel and Dave de Burgh. It’s called We Three Remain and looks at the idea of…aliens! It’s got a contemporary setting but I don’t want to say anything else as giving any sense of the story will spoilerise it.

Anyway, this is one of those stories whose central idea makes me all warm and snuggly from a writer’s point of view. I hope you enjoy it too.

Aliens!

Helena Woolf

Book 2 of the Oligarchy is nearly ready to go. We’re aiming for the third week of November – more on that when we have a firm date. In the meantime, I realised that I’d never really talked that much about Helena, the main character throughout the trilogy.

Helena’s an Oligarch. By that I mean she’s solidly within the 1%. Don’t hate her just yet (no…wait until you read about her and what she does before you make the decision). She’s blessed with access to technologies that the 99% are denied. For instance, she’s functionally immortal, although the reality is no one really knows just how long her generation will live. She’s benefitted from genetic therapies that mean she won’t get any of the more common diseases associated with ageing or those we might ordinarily say are heritable.

Add to that the fact that she’s had the best education, the best opportunities and you’d be forgiven for thinking she had everything going for her. A woman who might typify #firstworldproblems. Except Helena is also completely human, just like and I. Well, almost.

In the first book she discovers something terrifying about the world humanity has built for itself, about how it could follow its own logic and destroy the very thing that gives it substance. In A People’s War she’s following through on what she discovered in the first book, not least of which is that her missing father might just be the very man around who everything now revolves.

I’m showing two pictures for Helena above because she has changed her appearance more than once in the story so far. She has, via internal AIs, control over her pigment, hair colour and a limited ability to change her basic features given enough time. For me it’s a sign that in a world where you can change your appearance at will you’re not going to be worried about looking a certain way (except to be fashionable). While that doesn’t exclude racism, nor implicit bias, it does mean that people like Helena aren’t wedded to a certain way of appearing. You might comment that both the women whose images I’ve shown are beautiful (depending on your POV). I’d say, yes. Given the option, most people would probably choose to adhere to symmetry and current norms for beauty. It’s an issue I don’t tackle all that much I’ll admit, but I am very aware of what kind of messages are constructed in choices like this and wanted to highlight that this is deliberate and, hopefully, satirical.

Helena is complex (and I hope that comes across on the page) just like the rest of us.

Dreams of Darkness

This is Maela. She’s the daughter of the High King of the Parade, the combined courts of the Seelie and Unseelie Fae, although not all Fae are members of the Parade, not by a long shot. She’s also in exile, having had ideas considered too dangerous to leave her unharmed. She is of House Dark, one of the elder Fae Houses.

When I was developing my ideas for DoD (as I call it), one of the central themes I wanted to explore was difference. Not diversity for its own sake, but how different peoples and cultures may never see eye to eye simply because their foundations rest on entirely different premises.

Having said that, I explicitly wanted to write a female protagonist whose colour (and Maela isn’t locked into being the same as this picture shows her) was starkly different to that of the other main characters.

I’ll show those characters in other posts – we have a Kitsune called Shaal, an ancient fox spirit and we have Chris, a schlubby white male student from the Great Britain.

For this story, whose ideas impact the entire world, it seemed fitting that the characters we access the tale through represent its very different elements.

I’m writing this now because the novel is done and I’m talking about it with a publisher I’ve admired for a while. I hope to have more news that I can properly share soon but in the meantime, I thought I better start talking about a book that I love, that stands on its own as a proper story but whose world is built for a properly epic cycle to be told within.

 

What do I do next?

I’m at something of a crossroads. I’m in super positive discussions with a publishing house I’ve admired for a while about taking a novel of mine, Dreams of Darkness, through to publication. I’m so excited I’m pacing the house thinking about it whenever I’m not actually working at the day job (and even then…).

The novel is standalone – the story and characters wrapped up in 110,000 words. However, the world they exist within is very carefully laid out for a much grander story that would spread over 9 books…yes 9. It would be an intertwined series of three trilogies whose characters would find one another over the course of the series and accomplish grand things.

Now. A reality check. This may not come to pass. I’ll not really believe it until the 9th book is out and I’m looking back on it all. However, in terms of timing it’s actually thrown me a little.

I’ve worked with Matt at Alternative Realities to bring out A Family War which did well enough (far beyond my initial expectations of a dozen copies to mates!) that it warrants the sequel. We’re currently aiming for the end of November. I’ve just had the final cover artwork through though and am sitting staring at it wondering how I’m going to split myself in two to focus on both at the same time. This would be pretty easy – except that I’ve got to find some time to finish the trilogy with the final book in the series, The AI War.

Then…oh then. I have just finished my first pass at editing a new novel which I’m tentatively calling Immortal Daughter. I’m trying to concentrate on creating a blurb for it but I’m too excited about Dreams of Darkness for which I’ve been staying up creating the history of a world and how the myriad of characters will twist together to tell what I’m hoping is an epic story.

I know. It’s not the worst dilemma in the world. Or even a dilemma really. The actual solution is to take each one in order of urgency (since they’re all important). But right now I’m a little like:

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I’ll get there. Hopefully without dropping any of the balls I’m currently juggling. Now, if you’ll excuse me I’ve got a synopsis to write, then a cover to approve, then a final edit to read through, an anthology to put together (if the authors ever get their bios back to me) and a series to plan…

A People’s War – Cover Reveal

It’s here. At least the cover is almost here. Lawrence Mann has done another bang up job.

This is the cover for the second book in the Oligarchy trilogy. It’s due sometime towards the end of November, but we’ll make sure there’s lots of advance warning. I am looking for a small handful of people who want advance copies in exchange for honest reviews, so please let me know if you’re interested.

The process for creating this cover was simpler than the first one – after developing a sense of the visual representation of the world, Lawrence was quickly able to capture what it was I was hoping for in this cover. It’s not a spoiler but it does represent a key scene from the book.

The story here moves on from that in the first, starting just a few days after the events of A Family War. It moves in a very different direction though as Helena heads off somewhere new for…(no spoilers, Stew!) Reasons ™.

I’ll have a proper blurb in the next week which I’ll post here too. In the meantime, enjoy the cover.

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